Blog #6: Article Review
An Analysis of “Is It Cheating or Learning the Craft of Writing? Using TurnItIn to Help Students Avoid Plagiarism”
Graham-Matheson, Lynne, and Simon Starr, “Is It Cheating or Learning the Craft of Writing? Using Turnitin to Help Students Avoid Plagiarism." Research in Learning Technology1, 21.1 (2013): 1-13.
A review of an individual article rarely comes after a wider-scale review of the field as a whole. Perhaps, in this case, it is somewhat necessary to reverse the order. Graham-Matheson and Starr’s work is an intriguing piece of academia, particularly in the way that simultaneously bucks and embraces classic ideologies and preconceived notions in the field of Composition. Acting outside of our rather insular bubble of Composition Theory, Graham-Matheson and Starr appear to be concerned with education, and learning technologies2, rather than with theories of writing and reading specifically. Although applicable for our purposes, it is reasonable to expect that the literacy needed to read such a document will involve a certain number of skills of a different character than one might traditionally expect from a teacher of literacy. The moves that are made can be somewhat jarring and unexpected, but understanding the scope and implications of the ideas presented is an important part of developing a broader understanding of literacy.
For me, it was difficult to discern the formal genre style that backs “Is it Cheating or Learning the Craft of Writing?” One one level, it mostly seems to be centered on quantitative data sets. But on another level, there is a certain degree of qualitative-ness associated with the whole study. It represents a fairly large data set, covering questionnaires delivered to several hundred students and teachers on campus, with three hundred and sixty-seven responses from students, and over 26,000 volunteer originality reports on TurnItIn. However, it is also a case study of a single university3, and relies heavily on opinion-based questions. Regardless, the information paints a rather compelling story that people, at least from initial usage, tend to find TurnItIn either compelling and useful, or, at worst, an inconsequential and harmless step in the assignment process. The framing of the study as a whole was something of an odd conceit: reviewing student opinions on anti-cheating measures. Traditionally, the relationship between students and anti-cheating measures has been framed as antagonistic. It is assumed that some students inherently want to cheat, and it is only through forceful external pressure that they will avoid doing so. Yet, this study asked the students themselves4, and found that they overwhelmingly want to be “good” students. The indication seemed to be that the majority of cheating arises from poor communication between agents, and that TurnItIn’s black-and-white presentation of the rules allowed for a sense of understanding and comfort with the system. I genuinely cannot think of a single academic paper in the SFSU Composition and Literacy studies program that had ever once stopped to ask the students what they perceived as the the actual use of certain learning tools5. It is a certain paradigm that is difficult to center within the scope of these other topics, having been rather marginalized.
However, the most distinctive thing in particular about this whole study is that it lacks the hesitation and hedging that characterizes debates in the field of literacy education. Within the scope of the paper itself, after the survey concluded that TurnItIn was satisfying to the public, TurnItIn was immediately implemented university-wide. Among composition and literacy educators, the field is still debating whether or not dead trees, typewriters and toxic chemicals are essential to the experience of reading, let alone actually having time to work towards implementing new technology. This has both serious potential pros and cons. Graham-Mathieson’s and Starr’s work demonstrates the value of Technology such as TurnItIn, but the study and analysis seems to have no actual concern for where the program is situated within a greater system.
As a fan of systems and politics, I tend to turn towards examining the legal and economic impacts of actions6. TurnItIn is not a politically neutral program, nor does it pretend to be. Beyond the very obvious issue of plagiarism from clearly copyrighted works, TurnItIn was also embroiled in conflict over the rights of the works submitted to them. Information is not simply being processed by the program, the company behind TurnItIn actively harvests student texts. The company retains the rights to save a copy of anything submitted to them for future indexing and analysis purposes, as affirmed in court as a form of legal “Fair Use”7. For this very reason8, a number of international and domestic Universities have declined to participate in TurnItIn’s database. This is an ongoing debate in the field of plagiarism discussions- even if TurnItIn claims to allow students to allow full reservations on the rights to their works, how can it actually offer full rights when participation in the service inherently degrades that right drastically? On this topic, Graham-Matheson and Starr have absolutely nothing to say. It would be quite reasonable to say that such an issue was simply irrelevant to their research.
All of this adds up to a rather intriguing whole. I couldn’t possibly imagine using nothing but works like “Is it Cheating…” in my research. As powerful and intriguing a piece it is, the scope of applicability to discussion is narrow. The results serve best as a bullet point in a larger argument, rather than representing any sort of larger philosophy or world view. Yet, at the same time, I feel like it demonstrates the absolute necessity for works like itself. I tried finding a similar study in Composition works before turning to Research in Learning Technology, but Graham-Matheson and Starr made a distinctive, salient and powerful analysis within the limited scope of their efforts. For this reason, it seems that branching out further into unfamiliar styles of paper, even when (possibly especially when, even?) the results and ideas can be complicated, unfamiliar, and incomplete. Despite the criticisms made here, “Is it Cheating…” seems to truly illuminate some realities of the ways that familiarity and comfort with a system can improve certain aspects of student performance and satisfaction. And, ultimately, those issues lie at the heart of Composition teaching.
1 RiLT is an open-access journal. No predatory access fees involved.
2 One is an Education Research Directorate, the other a Learning Technologist.
3 Canterbury Christ Church University. Admittedly, A Christian University might have students who publicly express their passion for moral values at a higher rate than the greater population.
4 Because this was a survey of opinions, I can only surmise that the results were largely valid. Other than claiming that the surveys were faulty (which I detected no trace of, in my limited ability to cross-examine such issues), or that the students were lying, it can only be assumed that these were indeed opinions.
5 There were indeed a number of studies and papers in the program that concerned themselves with the students and their opinions. The issue here is the scope at which they were asked to reflect at. The peak of complexity in this topic seem to peak at the rather pitiful “Difficulty Paper”-type analysis of student opinions, in which the student is endlessly encouraged to assume that the system is inherently efficacious and organized, and themselves blind neophytes.
6 I am not a lawyer. Nothing I say here constitutes legal advice, and should not be taken as such.
7 http://caselaw.findlaw.com/us-4th-circuit/1248473.html
Admittedly, this is American case, and likely wouldn’t be remotely relevant to a university located in Canterbury, England.
8 http://dailyprincetonian.com/news/2006/04/university-opts-not-to-turnitin/